Gone With the Wind (DVD)
Other Marketplace Price: $17.99Sale Price:$9.49
- Ships Same Day.
- FREE Shipping (U.S. Delivery).
- International Shipping (See Shipping Chart Below).
1 in stock
Shipping US FREE SHIPPING |
FREE Shipping! |
---|---|
Shipping US Expedited 2-3 Day |
US Shipping: $14.99 Unlimited Items. |
Shipping Canada |
Canada Shipping: Flat $34.99. |
Shipping Int'l Standard | International Shipping: $64.99 Worldwide. |
Shipping Local Pick Up |
FREE Local Pick Up in Store |
Condition | New |
---|---|
Actor | Ben Hecht, Jo Swerling, John Van Druten, Margaret Mitchell, Oliver H.p. Garrett |
Publisher | |
Published Date | 1998 |
Format | DVD |
Age Group | Adult |
ISBN-10 | 6305123667 |
ISBN-13 | 9786305123668 |
UPC / EAN | 027616631121 |
Year | 1939 |
Year | 1939 |
ReleaseDate | 1940-01-17 |
RuntimeMins | 238 |
ReleaseDate | 1940-01-17 |
RuntimeStr | 3h 58min |
RuntimeMins | 238 |
RuntimeStr | 3h 58min |
Awards | Top rated movie #158 , Won 8 Oscars, 21 wins & 12 nominations total |
Directors | Victor Fleming, George Cukor, Sam Wood |
Awards | Top rated movie #158 , Won 8 Oscars, 21 wins & 12 nominations total |
Writers | Margaret Mitchell, Sidney Howard, Oliver H.P. Garrett |
Directors | Victor Fleming, George Cukor, Sam Wood |
Stars | Clark Gable, Vivien Leigh, Thomas Mitchell |
Writers | Margaret Mitchell, Sidney Howard, Oliver H.P. Garrett |
Produced by | David O. Selznick |
Stars | Clark Gable, Vivien Leigh, Thomas Mitchell |
Music by | Max Steiner |
Produced by | David O. Selznick |
Cinematography by | Ernest Haller, Lee Garmes |
Music by | Max Steiner |
Casting By | Charles Richards, Fred Schuessler |
Cinematography by | Ernest Haller, Lee Garmes |
Production Design by | William Cameron Menzies |
Casting By | Charles Richards, Fred Schuessler |
Art Direction by | Lyle R. Wheeler |
Production Design by | William Cameron Menzies |
Set Decoration by | Howard Bristol |
Art Direction by | Lyle R. Wheeler |
Costume Design by | Walter Plunkett |
Set Decoration by | Howard Bristol |
Makeup Department | Sydney Guilaroff, Ben Nye, Hazel Rogers, Paul Stanhope, Monte Westmore |
Costume Design by | Walter Plunkett |
Production Management | Raymond A. Klune, William J. Scully, Daniel T. Shea |
Makeup Department | Sydney Guilaroff, Ben Nye, Hazel Rogers, Paul Stanhope, Monte Westmore |
Second Unit Director or Assistant Director | Eric Stacey, Peter Ballbusch, Ridgeway Callow, B. Reeves Eason, Arthur Fellows, James A. FitzPatrick, Harve Foster, Chester M. Franklin, William Cameron Menzies, John Sherwood, Ralph Slosser |
Production Management | Raymond A. Klune, William J. Scully, Daniel T. Shea |
Art Department | Edward G. Boyle, Jack Connor, Joseph B. Platt, Howard Terpning, Harold Coles, Arden Cripe, Hobe Erwin, Harold Fenton, James Forney, Dorothea Holt, Ross B. Jackman, J. McMillan Johnson, Roy McLaughlin, Joseph B. Platt, George Rule, Henry J. Stahl, Florence Yoch |
Second Unit Director or Assistant Director | Eric Stacey, Peter Ballbusch, Ridgeway Callow, B. Reeves Eason, Arthur Fellows, James A. FitzPatrick, Harve Foster, Chester M. Franklin, William Cameron Menzies, John Sherwood, Ralph Slosser |
Sound Department | Frank Maher, Fred Albin, T.A. Carman, Arthur Johns, Thomas T. Moulton, Gordon Sawyer |
Art Department | Edward G. Boyle, Jack Connor, Joseph B. Platt, Howard Terpning, Harold Coles, Arden Cripe, Hobe Erwin, Harold Fenton, James Forney, Dorothea Holt, Ross B. Jackman, J. McMillan Johnson, Roy McLaughlin, Joseph B. Platt, George Rule, Henry J. Stahl, Florence Yoch |
Special Effects by | R.D. Musgrave, Thol Simonson, Lee Zavitz |
Sound Department | Frank Maher, Fred Albin, T.A. Carman, Arthur Johns, Thomas T. Moulton, Gordon Sawyer |
Visual Effects by | Jack Cosgrove, F.R. Abbott, Haller Belt, Alan Cook, Byron L. Crabbe, Fitch Fulton, Jack Shaw, Albert Simpson, Clarence Slifer |
Special Effects by | R.D. Musgrave, Thol Simonson, Lee Zavitz |
Stunts | Yakima Canutt, Ruth Cedar, B. Reeves Eason, Dorothy Mae Fargo, Richard Farnsworth, Frank Fawcett, Lila Finn, Peggy Fior, Aline Goodwin, Carey Harrison, Mozelle Miller, Joan Rodgers, J. Lewis Smith, Richard Smith, Dale Van Sickel, Hazel Warp, Jack Williams |
Visual Effects by | Jack Cosgrove, F.R. Abbott, Haller Belt, Alan Cook, Byron L. Crabbe, Fitch Fulton, Jack Shaw, Albert Simpson, Clarence Slifer |
Camera and Electrical Department | Arthur E. Arling, R.J. Campbell, Roy Clark, Vincent J. Farrar, Paul Hill, Paul Ivano, Vic Jones, Wally Oettel, Roy F. Overbaugh, Fred Parrish, James Potevin, Harold Rosson, Cliff Shirpser, Karl Struss, Arthur Williams, Fred Williams, Harry L. Wolf |
Stunts | Yakima Canutt, Ruth Cedar, B. Reeves Eason, Dorothy Mae Fargo, Richard Farnsworth, Frank Fawcett, Lila Finn, Peggy Fior, Aline Goodwin, Carey Harrison, Mozelle Miller, Joan Rodgers, J. Lewis Smith, Richard Smith, Dale Van Sickel, Hazel Warp, Jack Williams |
Casting Department | Harvey Clermont, Charles Richards, Fred Schuessler |
Camera and Electrical Department | Arthur E. Arling, R.J. Campbell, Roy Clark, Vincent J. Farrar, Paul Hill, Paul Ivano, Vic Jones, Wally Oettel, Roy F. Overbaugh, Fred Parrish, James Potevin, Harold Rosson, Cliff Shirpser, Karl Struss, Arthur Williams, Fred Williams, Harry L. Wolf |
Costume and Wardrobe Department | Marian Dabney, Elmer Ellsworth, John Frederics, Eugene Joseff, Joseff-Hollywood, Edward P. Lambert, Edward Maeder, Michi Okubo, Eddie Schmidt, Ralph Siegel |
Casting Department | Harvey Clermont, Charles Richards, Fred Schuessler |
Editorial Department | Hal C. Kern, James E. Newcom, Ernie Leadlay, Richard L. Van Enger |
Costume and Wardrobe Department | Marian Dabney, Elmer Ellsworth, John Frederics, Eugene Joseff, Joseff-Hollywood, Edward P. Lambert, Edward Maeder, Michi Okubo, Eddie Schmidt, Ralph Siegel |
Location Management | Mason N. Litson |
Editorial Department | Hal C. Kern, James E. Newcom, Ernie Leadlay, Richard L. Van Enger |
Music Department | Louis Forbes, Leo Arnaud, William Axt, R.H. Bassett, George Bassman, Dudley Chambers, Cecil Copping, Maurice De Packh, Adolph Deutsch, Arthur L. Frantz, Hugo Friedhofer, Stuart Frye, Louis Kaufman, Bernhard Kaun, Arthur Kay, Albert Hay Malotte, Earl B. Mounce, Joseph Nussbaum, Darol Rice, Heinz Roemheld, Max Steiner, Franz Waxman |
Location Management | Mason N. Litson |
Script and Continuity Department | Connie Earl, Lydia Schiller |
Music Department | Louis Forbes, Leo Arnaud, William Axt, R.H. Bassett, George Bassman, Dudley Chambers, Cecil Copping, Maurice De Packh, Adolph Deutsch, Arthur L. Frantz, Hugo Friedhofer, Stuart Frye, Louis Kaufman, Bernhard Kaun, Arthur Kay, Albert Hay Malotte, Earl B. Mounce, Joseph Nussbaum, Darol Rice, Heinz Roemheld, Max Steiner, Franz Waxman |
Transportation Department | Joyce Allen, George Doan |
Script and Continuity Department | Connie Earl, Lydia Schiller |
Additional Crew | Wilfrid M. Cline, Natalie Kalmus, Barbara Keon, Wilbur G. Kurtz, Susan Myrick, Will Price, Ray Rennahan, Betty Baldwin, Peter Ballbusch, Russell Birdwell, Katherine Brown, William Clark, Sally De Marco, Lillian K. Deighton, Howard Dietz, Frank Floyd, Henry Ginsberg, Charles Handley, Carey Harrison, William Hebert, Will Hill, Winton C. Hoch, Henri Jaffa, David Joy, Val Lewton, Al Lichtman, Franclein Macconnell, William S. McCune, Mozelle Miller, Richard Mueller, R.D. Musgrave, Eddie Prinz, Marcella Rabwin, Myron Selznick, Howard Strickling, Arthur Tovey, Frank Whitbeck, C.V. Whitney, John Hay Whitney |
Transportation Department | Joyce Allen, George Doan |
Genres | Drama, Romance, War |
Additional Crew | Wilfrid M. Cline, Natalie Kalmus, Barbara Keon, Wilbur G. Kurtz, Susan Myrick, Will Price, Ray Rennahan, Betty Baldwin, Peter Ballbusch, Russell Birdwell, Katherine Brown, William Clark, Sally De Marco, Lillian K. Deighton, Howard Dietz, Frank Floyd, Henry Ginsberg, Charles Handley, Carey Harrison, William Hebert, Will Hill, Winton C. Hoch, Henri Jaffa, David Joy, Val Lewton, Al Lichtman, Franclein Macconnell, William S. McCune, Mozelle Miller, Richard Mueller, R.D. Musgrave, Eddie Prinz, Marcella Rabwin, Myron Selznick, Howard Strickling, Arthur Tovey, Frank Whitbeck, C.V. Whitney, John Hay Whitney |
Companies | Selznick International Pictures, Metro-Goldwyn-Mayer (MGM) |
Genres | Drama, Romance, War |
Countries | USA |
Companies | Selznick International Pictures, Metro-Goldwyn-Mayer (MGM) |
Languages | English |
Countries | USA |
ContentRating | Passed |
Languages | English |
ImDbRating | 8.2 |
ContentRating | Passed |
ImDb Rating Votes | 314112 |
ImDbRating | 8.2 |
Metacritic Rating | 97 |
ImDb Rating Votes | 314112 |
Metacritic Rating | 97 |
Short Description |
Gone with the Wind is a 1939 American epic historical romance film adapted from the 1936 novel by Margaret Mitchell. The film was produced by David O. Selznick of Selznick International Pictures and directed by Victor Fleming. Set in the American South against the backdrop of the American Civil War and the Reconstruction era, the film tells the story of Scarlett O Hara (Vivien Leigh), the strong-willed daughter of a Georgia plantation owner, following her romantic pursuit of Ashley Wilkes (Leslie Howard), who is married to his cousin, Melanie Hamilton (Olivia de Havilland), and her subsequent marriage to Rhett Butler (Clark Gable). The film had a troubled production. The start of filming was delayed for two years until January 1939 because of Selznick s determination to secure Gable for the role of Rhett. The role of Scarlett was difficult to cast, and 1,400 unknown women were interviewed for the part. The original screenplay by Sidney Howard underwent many revisions by several writers to reduce it to a suitable length. The original director, George Cukor, was fired shortly after filming began, and was replaced by Fleming, who in turn was briefly replaced by Sam Wood while taking some time off due to exhaustion. Post-production concluded in November 1939, just a month before its release. It received generally positive reviews upon its release in December 1939. The casting was widely praised, but its long running time received criticism. At the 12th Academy Awards, it received ten Academy Awards (eight competitive, two honorary) from thirteen nominations, including wins for Best Picture, Best Director (Fleming), Best Adapted Screenplay (posthumously awarded to Sidney Howard), Best Actress (Leigh), and Best Supporting Actress (Hattie McDaniel, becoming the first African American to win an Academy Award). It set records for the total number of wins and nominations at the time. Gone with the Wind was immensely popular when first released. It became the highest-earning film made up to that point, and held the record for over a quarter of a century. When adjusted for monetary inflation, it is still the highest-grossing film in history. It was re-released periodically throughout the 20th century and became ingrained in popular culture. Although the film has been criticized as historical negationism, glorifying slavery and the Lost Cause of the Confederacy myth, it has been credited with triggering changes in the way in which African Americans were depicted cinematically. The film is regarded as one of the greatest films of all time, and in 1989 it became one of the twenty-five inaugural films selected for preservation in the United States National Film Registry. |
Short Description |
Gone with the Wind is a 1939 American epic historical romance film adapted from the 1936 novel by Margaret Mitchell. The film was produced by David O. Selznick of Selznick International Pictures and directed by Victor Fleming. Set in the American South against the backdrop of the American Civil War and the Reconstruction era, the film tells the story of Scarlett O Hara (Vivien Leigh), the strong-willed daughter of a Georgia plantation owner, following her romantic pursuit of Ashley Wilkes (Leslie Howard), who is married to his cousin, Melanie Hamilton (Olivia de Havilland), and her subsequent marriage to Rhett Butler (Clark Gable). The film had a troubled production. The start of filming was delayed for two years until January 1939 because of Selznick s determination to secure Gable for the role of Rhett. The role of Scarlett was difficult to cast, and 1,400 unknown women were interviewed for the part. The original screenplay by Sidney Howard underwent many revisions by several writers to reduce it to a suitable length. The original director, George Cukor, was fired shortly after filming began, and was replaced by Fleming, who in turn was briefly replaced by Sam Wood while taking some time off due to exhaustion. Post-production concluded in November 1939, just a month before its release. It received generally positive reviews upon its release in December 1939. The casting was widely praised, but its long running time received criticism. At the 12th Academy Awards, it received ten Academy Awards (eight competitive, two honorary) from thirteen nominations, including wins for Best Picture, Best Director (Fleming), Best Adapted Screenplay (posthumously awarded to Sidney Howard), Best Actress (Leigh), and Best Supporting Actress (Hattie McDaniel, becoming the first African American to win an Academy Award). It set records for the total number of wins and nominations at the time. Gone with the Wind was immensely popular when first released. It became the highest-earning film made up to that point, and held the record for over a quarter of a century. When adjusted for monetary inflation, it is still the highest-grossing film in history. It was re-released periodically throughout the 20th century and became ingrained in popular culture. Although the film has been criticized as historical negationism, glorifying slavery and the Lost Cause of the Confederacy myth, it has been credited with triggering changes in the way in which African Americans were depicted cinematically. The film is regarded as one of the greatest films of all time, and in 1989 it became one of the twenty-five inaugural films selected for preservation in the United States National Film Registry. |
Box Office Budget | $3,977,000 (estimated) |
Box Office Budget | $3,977,000 (estimated) |
Box Office Opening Weekend USA | $1,192,593 |
Box Office Opening Weekend USA | $1,192,593 |
Box Office Gross USA | $200,882,193 |
Box Office Gross USA | $200,882,193 |
Box Office Cumulative Worldwide Gross | $402,382,193 |
Box Office Cumulative Worldwide Gross | $402,382,193 |
Keywords | Narcissism,based on novel,american civil war,black stereotype,narcissistic personality disorder |
Keywords | Narcissism,based on novel,american civil war,black stereotype,narcissistic personality disorder |