Marty is a 1955 American romantic drama film directed by Delbert Mann in his directorial debut. The screenplay was written by Paddy Chayefsky, expanding upon his 1953 teleplay of the same name, which was broadcast on The Philco-Goodyear Television Playhouse and starred Rod Steiger in the title role.

The film stars Ernest Borgnine and Betsy Blair. In addition to winning the Academy Award for Best Picture, the film enjoyed international success, becoming the fourth American film to win the Palme d Or. Marty, The Lost Weekend (1945) and Parasite (2019) are the only three films to win both organizations grand prizes.

In 1994, Marty was deemed culturally, historically or aesthetically significant and selected for preservation in the Library of Congress National Film Registry.

Plot

Marty Piletti is an Italian-American butcher who lives in The Bronx with his mother. Unmarried at 34, the good-natured but socially awkward Marty faces constant badgering from family and friends to settle down, as they point out that all his brothers and sisters are already married, most of them with children. Not averse to marriage but disheartened by his lack of prospects, Marty has reluctantly resigned himself to bachelorhood.

After being harassed by his mother into going to the Stardust Ballroom one Saturday night, Marty connects with Clara, a plain science teacher at Benjamin Franklin High School, who is quietly weeping on the roof after being callously abandoned at the ballroom by her blind date. They spend the evening together dancing, walking the busy streets, and talking in a diner. Marty eagerly spills out his life story and ambitions, and they encourage each other. He takes Clara to his house and they awkwardly express their mutual attraction, shortly before his mother returns. Marty takes her home by bus, promising to call her at 2:30 the next afternoon, after Mass. Overjoyed on his way back home, he punches the bus stop sign and weaves between the cars, looking for a cab instead.

Meanwhile, Marty s Aunt Catherine moves in to live with Marty and his mother. She warns his mother that Marty will soon marry and cast her aside. Fearing that Marty s romance could spell her abandonment, his mother belittles Clara. Marty s friends, with an undercurrent of envy, deride Clara for her plainness and try to convince him to forget her and to remain with them, unmarried, in their fading youth. Harangued into submission by the pull of his friends, Marty doesn t call Clara.

That night, back in the same lonely rut, Marty realizes that he is giving up a woman whom he not only likes, but who makes him happy. Over the objections of his friends, he dashes to a phone booth to call Clara, who is disconsolately watching television with her parents. When his friend asks what he s doing, Marty bursts out saying:

You don t like her, my mother don t like her, she s a dog and I m a fat, ugly man! Well, all I know is I had a good time last night! I m gonna have a good time tonight! If we have enough good times together, I m gonna get down on my knees and I m gonna beg that girl to marry me! If we make a party on New Year s, I got a date for that party. You don t like her? That s too bad!

Marty closes the phone booth s door when Clara answers the phone. In the last line of the film, he tentatively says Hello…Hello, Clara?

Cast

• Ernest Borgnine as Marty Piletti
• Betsy Blair as Clara Snyder
• Esther Minciotti as Mrs. Teresa Piletti, Marty s mother
• Augusta Ciolli as Aunt Catherine, Ms. Piletti s sister
• Joe Mantell as Angie, Marty s best friend
• Karen Steele as Virginia, Aunt Catherine s daughter-in-law
• Jerry Paris as Tommy, Aunt Catherine s son
• Frank Sutton as Ralph (uncredited)

Production

For the film, Esther Minciotti, Augusta Ciolli and Joe Mantell reprised their roles from the live television production. The screenplay changed the name of the Waverly Ballroom to the Stardust Ballroom. The film expanded the role of Clara, and added subplots about Marty s career, his mother, and her sister.

Rod Steiger, who had played Marty in the teleplay, declined an offer to reprise the role after Harold Hecht and Burt Lancaster, the film s producers, demanded Steiger sign a multiple-picture commitment as a condition of retaining his role. Ernest Borgnine assumed the title role in Steiger s stead.

Shooting for the film began on September 7, 1954 in The Bronx and included many aspects of the borough into the film, such as Grand Concourse, Arthur Avenue, Gun Hill Road, White Plains Road, and several Bronx subway and elevated train lines, including the Concourse, Third Avenue, White Plains Road, and Jerome Avenue lines. On-set filming took place at Samuel Goldwyn Studios on November 1, 1954. Bronx native Jerry Orbach made his film debut in an uncredited role as a ballroom patron. Chayefsky had an uncredited cameo as Leo.

The role of Clara initially was going to be reprised by actress Nancy Marchand, later of Lou Grant and The Sopranos fame, who had portrayed the character in the television version. However, actress Betsy Blair was interested in playing the role and lobbied for it. At the time, Blair, who was married to actor Gene Kelly, had been blacklisted due to her Marxist and Communist sympathies. It was only through the lobbying of Kelly, who used his major star status and connections at MGM to pressure United Artists, that Blair got the role. Reportedly, Kelly threatened to withdraw from the film It s Always Fair Weather if Blair did not get the role of Clara.

Mann shot the film in 16 days and an additional three days for retakes.

Reception

Upon its premiere on April 11, 1955 (followed by a wide release on July 15), Marty received overwhelmingly positive reviews from critics. Ronald Holloway of Variety wrote If Marty is an example of the type of material that can be gleaned, then studio story editors better spend more time at home looking at television. Time described the film as wonderful . Louella Parsons enjoyed the film, but she felt that it would not likely be nominated for Oscars. At a budget of $343,000, the film generated revenues of $3 million in the U.S., making it a box-office success.

Rotten Tomatoes gives it a Certified Fresh 96% rating based on 77 reviews, with an average rating of 8.1/10. The site s consensus reads: Scriptwriter Paddy Chayefsky s solid dialogue is bolstered by strong performances from Ernest Borgnine and Betsy Blair in this appealingly low-key character study.

The film is recognized by the American Film Institute.

• 2002: AFI s 100 Years … 100 Passions – 64

Awards and nominations

Award	Category	Nominee(s)	Result
Academy Awards	Best Motion Picture	Harold Hecht	Won
	Best Director	Delbert Mann	Won
	Best Actor	Ernest Borgnine	Won
	Best Supporting Actor	Joe Mantell	Nominated
	Best Supporting Actress	Betsy Blair	Nominated
	Best Screenplay	Paddy Chayefsky	Won
	Best Art Direction – Black-and-White	Art Direction: Ted Haworth and Walter M. Simonds; Set Decoration: Robert Priestley	Nominated
	Best Cinematography – Black-and-White	Joseph LaShelle	Nominated
Bodil Awards	Best American Film	Delbert Mann	Won
British Academy Film Awards	Best Film		Nominated
	Best Foreign Actor	Ernest Borgnine	Won
	Best Foreign Actress	Betsy Blair	Won
Cannes Film Festival	Palme d Or	Delbert Mann	Won
	OCIC Award		Won
Directors Guild of America Awards	Outstanding Directorial Achievement in Motion Pictures		Won
Golden Globe Awards	Best Actor in a Motion Picture – Drama	Ernest Borgnine	Won
Karlovy Vary International Film Festival	Best Film	Delbert Mann	Nominated
National Board of Review Awards	Best Film		Won
	Top Ten Films		Won
	Best Actor	Ernest Borgnine	Won
National Film Preservation Board	National Film Registry		Inducted
New York Film Critics Circle Awards	Best Film		Won
	Best Actor	Ernest Borgnine	Won
Online Film & Television Association Awards	Hall of Fame – Motion Picture		Won
Writers Guild of America Awards	Best Written American Drama	Paddy Chayefsky	Won

Marty received the first Palme d Or ever awarded. Marty, The Lost Weekend and Parasite are the only films ever to win both the Academy Award for Best Picture and the highest award at the Cannes Film Festival (Marty and Parasite both received the Palme d Or, which, beginning at the 1955 festival, replaced the Grand Prix du Festival International du Film as the highest award).

Year	1955
ReleaseDate	1955-06-10
RuntimeMins	90
RuntimeStr	1h 30min
Plot	A middle-aged butcher and a school teacher who have given up on the idea of love meet at a dance and fall for each other.
Awards	Won 4 Oscars, 19 wins & 6 nominations total
Directors	Delbert Mann
Writers	Paddy Chayefsky
Stars	Ernest Borgnine, Betsy Blair, Esther Minciotti
Produced by	Paddy Chayefsky,Harold Hecht,Burt Lancaster
Music by	Roy Webb
Cinematography by	Joseph LaShelle
Art Direction by	Ted Haworth,Walter M. Simonds
Set Decoration by	Robert Priestley
Costume Design by	Norma Koch
Makeup Department	Agnes Flanagan,Robert J. Schiffer,Rudolph Liszt
Second Unit Director or Assistant Director	Paul Helmick,Mark Sandrich Jr.
Sound Department	Robert G. Carlisle,Roger Heman Sr.,John K. Kean
Casting Department	Betty Pagel
Editorial Department	Alan Crosland Jr.
Music Department	George Bassman,Robert G. Carlisle
Genres	Drama, Romance
Companies	Hecht-Lancaster Productions, Steven Productions
Countries	USA
Languages	English, German, Italian
ContentRating	Not Rated
ImDbRating	7.7
ImDbRatingVotes	24467
Keywords	dance hall,love,butcher,teacher,overbearing mother