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Firefox is a 1982 American action techno-thriller film produced, directed by and starring Clint Eastwood. It is based upon the 1977 novel of the same name by Craig Thomas.
The film was set in Russia, but Cold War considerations had Eastwood s and Fritz Manes s Malpaso Company using Vienna and other locations in Austria to double for many of the Eurasian story locations. One source indicates that the film was shot on a $21 million budget, the largest production budget ever for Malpaso. Another source indicates that over $20 million was spent on special effects.
Plot
A joint British-American plot is devised to steal a highly advanced Soviet fighter aircraft (MiG-31, NATO code name Firefox ) which is capable of Mach 6 (hypersonic flight), is invisible to radar, and carries weapons controlled by thought. Former United States Air Force Major Mitchell Gant, a Vietnam veteran, ex member of the Aggressor squadron and former prisoner of war, infiltrates the Soviet Union, aided by his ability to speak Russian (due to his having had a Russian mother) and a network of Soviet dissidents, three of whom are key scientists working on the fighter itself. His goal is to steal the Firefox and fly it back to friendly territory for analysis.
However, the KGB has got wind of the operation and is already looking for Gant. It is only through the dissidents that Gant remains one step ahead of the KGB and reaches the air base at Bilyarsk, where the Firefox prototype is under heavy guard. The dissidents working on the Firefox help Gant infiltrate the base. Pyotr Baranovich, one of the scientists, briefs Gant on the operation of the aircraft but warns him that there is a second prototype in the hangar that must be destroyed. The diversion will allow Gant to enter the hangar and escape with the first Firefox. Gant knocks out Lt. Colonel Yuri Voskov, a Soviet pilot assigned to take the first prototype on its maiden flight during a visit from the Soviet First Secretary. The scientists cause an explosive disruption, but the second prototype is undamaged. Baranovich is singled out for execution but manages to kill one of the guards with a concealed pistol before he and the other scientists are shot. Gant uses the commotion to enter the Firefox and fly it off the base.
Evading the Soviets attempts to stop him, Gant barely reaches the Arctic ice pack and lands, making a rendezvous with a US submarine whose crew refuels and rearms the aircraft. However, Gant s last-minute refusal to kill Voskov has consequences; the Soviet pilot flies the second prototype, with orders to intercept him at the North Cape area. Gant completes the rendezvous and is on the way home when Voskov engages him in a dogfight. After a long battle, Gant finally remembers to fire one of his rearward missiles and Voskov s plane is destroyed. Satisfied that there are no other Soviet forces chasing him, Gant begins his flight to safety.
Cast
- Clint Eastwood as Major Mitchell Gant
- Freddie Jones as Kenneth Aubrey
- David Huffman as Captain Buckholz
- Warren Clarke as Pavel Upenskoy
- Ronald Lacey as Dr. Maxim Ilyich Semelovsky
- Kenneth Colley as Colonel Kontarsky
- Klaus Löwitsch as General Vladimirov
- Nigel Hawthorne as Dr. Pyotr Baranovich
- Stefan Schnabel as First Secretary
- Thomas Hill as General Brown
- Curt Lowens as Dr. Schuller
- Clive Merrison as Major Lanyev
- Kai Wulff as Lieutenant Colonel Yuri Voskov
- Dimitra Arliss as Dr. Natalia Baranovich
- Austin Willis as Walters
- Michael Currie as Captain Seerbacker
- Alan Tilvern as Air Marshal Kutuzov
- Oliver Cotton as Dmitri Priabin
- Hugh Fraser as Chief Inspector Tortyev
- Wolf Kahler as KGB Chairman Yuri Andropov
Production
The film was based on the creation of a mythical super fighter: the MiG-31 Firefox. The original Firefox from the novel was, cosmetically, nearly identical to the MiG-25 (which in reality is actually accurate). The more intimidating version seen in the movie was created specifically for the film, and takes many of its design cues from the SR-71 Blackbird. In the sequel novel, Firefox Down, the Firefox s appearance is described as matching the one in the film. For filming, four large-scale replicas were created, along with one full-size model that had dimensions of 66 feet long, 44 feet wide, and 20 feet high. The full-size model was built from a radio station broadcast-antenna skeleton and was capable of taxiing at 30–40 mph.
Filming occurred in 1981 at a number of locations including Vienna, Austria; Montana; California; London and Greenland s Thule Air Force Base. Hollywood aerial cinematographer Clay Lacy flew second unit aerial sequences in a Learjet 23 high-speed aerial platform, for scenes that were later integrated into the film.
Special effects supervisor John Dykstra pioneered a new technique for shooting the complex flying sequences, called reverse blue-screen photography. This involved coating the model with phosphorus paint and photographing it first with strong lighting against a black background and then with ultraviolet light to create the necessary male and female mattes to separate the foreground model and the background footage. This enabled the shiny black model to be photographed flying against a clear blue sky and gleaming white snow; compare this with traditional bluescreen technique used in The Empire Strikes Back. The original scale model made by Gregory Jein used in the bluescreen work is now on display at the Warner Bros. Museum.
Reception
Author Howard Hughes gave Firefox a negative review, Watch the trailer, read the book, play the game — just avoid the film, it s another Eiger Sanction. Less a Firefox , it s more of a damp squib, or at best a smoldering turkey. Vincent Canby s review in The New York Times made a similar assessment, zeroing in on Eastwood s lack of control over the plot line. Firefox is only slightly more suspenseful than it is plausible. It s a James Bond movie without girls, a Superman movie without a sense of humor. However, Roger Ebert gave the film three-and-a-half stars out of four, describing it as a slick, muscular thriller that combines espionage with science fiction. The movie works like a well-crafted machine. Todd McCarthy of Variety panned the film as a burn-out. Lethargic, characterless and, at 137 minutes, at least a half-hour too long. Gene Siskel of the Chicago Tribune gave the film two-and-a-half stars out of four and wrote that it was generally entertaining, but would be a lot more so if Eastwood, who served as producer-director, had excised some of the laborious buildup to the final shootout. Instead, we are asked to sit through some boring patches in which he avoids detection by Russian security officers, who seem to speak Russian or English whenever they like. What s uninteresting about all of this is that we know that Clint is going to make it to the plane. So, let s get on with it. Sheila Benson of the Los Angeles Times called the film a sagging, overlong disappointment, talky and slow to ignite. It is the first time that Eastwood the director has served Eastwood the actor-icon so badly, and it is unnerving. Gary Arnold of The Washington Post wrote, Both loyal fans and neutral observers may agree that Eastwood has steered himself into a peculiarly murky flight path on this occasion, calling the plot far-fetched and expressing disappointment that the Firefox doesn t look all that formidable on the screen … The only in-flight special effect that stirs the imagination is the parallel curtains of water that suddenly erupt in the wake of the plane as it whooshes across the ocean.
As of November 2021, the review aggregation website Rotten Tomatoes gives the film a score of 38% based on reviews from 16 critics.
Video game
A laserdisc arcade game, based on the movie, was released by Atari in 1983.
Year | 1982 |
ReleaseDate | 1982-06-18 |
RuntimeMins | 136 |
RuntimeStr | 2h 16min |
Plot | A pilot is sent into the Soviet Union on a mission to steal a prototype jet fighter that can be partially controlled by a neuralink. |
Directors | Clint Eastwood |
Writers | Alex Lasker, Wendell Wellman, Craig Thomas |
Stars | Clint Eastwood, Freddie Jones, David Huffman |
Produced by | Clint Eastwood,Paul Hitchcock,Fritz Manes |
Music by | Maurice Jarre |
Cinematography by | Bruce Surtees |
Film Editing by | Ron Spang,Ferris Webster |
Casting By | Marion Dougherty,Mary Selway |
Art Direction by | Elayne Barbara Ceder,John Graysmark,Beala Neel |
Set Decoration by | Ernie Bishop |
Makeup Department | Christina Smith |
Production Management | Fritz Manes,Dieter Meyer,Steve Perry,William W. Wilson III |
Second Unit Director or Assistant Director | Don French,Steve Perry,David Valdes |
Art Department | Joe Acord,Edward Aiona,Martin A. Kline,Thomas Riccabona,John R. Shourt,Michael Speaker,Alan Tomkins,Chris Courtois,Joe Garlington,Bill Gold,Michael Law |
Sound Department | Rick Alexander,Bub Asman,Les Fresholtz,Robert G. Henderson,Donald F. Johnson,Alan Robert Murray,Arthur Piantadosi,Jules Strasser,Donald C. Rogers |
Special Effects by | Karl Baumgartner,Chuck Gaspar,Richard Stutsman,Gary Zink |
Visual Effects by | Richard Alexander,Jack Anderson,Percy Angress,David Bartholomew,David Beasley,Mat Beck,Cosmas Paul Bolger Jr.,Mark Cane,Angela Diamos,Dennis Dorney,Roger Dorney,John Dykstra,Jonathan Erland,Bruno George,Pete Gerard,Rick Gilligan,Mark Gredell,Richard Haas,Richard O. Helmer,Gregg Heschong,Paul D. Johnson,Ann Johnston,Michael Joyce,Denny Kelly,Michael Kelly,Rick La Conte,Bruce Logan,Pat McClung,Grant McCune,Dennis Michelson,Michael Douglas Middleton,Alvah J. Miller,Harry Moreau,Debbi Nikkel,David B. Nowell,Jerry Pooler,Gary Rhodaback,Steve Sass,Gregory J. Schmidt,David Scott,Robert Shepherd,William Shourt,Susan Sitnek,Douglas Smith,David Sosalla,John E. Sullivan,Michael Sweeney,Ken Swenson,Tama Takahashi,Don Trumbull,Dewey Webber,Jody Westheimer,Gregory Jein,Robert Short,Denise Shurtleff |
Stunts | George Orrison |
Camera and Electrical Department | John Davis,Dennis Fraser,Jack N. Green,Ronald Hersey,Jeff Miller,Don Nygren,John Palmer,Charles Saldana,John R. Shannon,Bruce D. Spellman,Michael D. Weldon,Kirk Bales,Michael E. Matteson,Michael Douglas Middleton,Lee Redmond,Emmanuel Vouniozos |
Casting Department | Renate Arbes |
Costume and Wardrobe Department | Glenn Wright |
Editorial Department | Jack Hooper,Hubert de La Bouillerie |
Location Management | Jack Wheeler |
Music Department | Donald Harris,Maurice Jarre,Michel Mention,Robert Fernandez,Craig Huxley,James Thatcher |
Script and Continuity Department | Lloyd Nelson |
Transportation Department | Peter Altendorfer,H. William Miller,Gerhard Rupp,David Turner,William W. Wilson III |
Additional Crew | Marco Barla,Maurizio Cusano,Robin Demetriou,Betty Endo,James W. Gavin,Joe Hyams,Linda Sony Kinney,Clay Lacy,Michael Maurer,David Nieman,Durk Pearson,James M. Quinlan,Ilse Schwarzwald,Sandy Shaw,Arthur Tarry,Lora Marie Taylor,James Monroe Tharp Jr.,Carl Lawrence Ludwig,Howard R. Schuster,William Smith,C. Ransom Walrod |
Thanks | Thomas H. Friedkin |
Genres | Action, Adventure, Thriller |
Companies | Major Studio Partners, The Malpaso Company |
Countries | USA |
Languages | English, Russian |
ContentRating | PG |
ImDbRating | 5.9 |
ImDbRatingVotes | 27611 |
MetacriticRating | 44 |
Keywords | american abroad,restroom,firearm,aerial explosion,explosion |